The mathematical symmetry of Ifa and Adinkra take me into the exploration of shapes and patterns, patterns that describe the world without and the world within, real and imagined, visual and mental, static and dynamic, abstract patterns, numerical patterns, patterns of shape, patterns of motion, patterns of behaviour , from the material and the social worlds, from the depths of space and time, from the inner workings of the human mind [1] . Adinkra are visual symbols of which there are hundreds of distinct examples. Each one has a distinctive shape associated with a distinctive symbolic meaning. One Adinkra I find particularly intriguing is known as Kuntunkantan. It combines most evocatively the correlation of mathematical, literary, philosophical and religious possibilities that the multivalent African systems demonstrate. Kuntunkantan is particularly intriguing on account of its evocation of universes of association in amplifying the symbolic possibilities of a circle by co...
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